Obsidian Tide – The Grand Crescendo
Release Date: 29th September 2023
Label: Self Released
Bandcamp
Genre: Progressive Metal, Death Metal, Post-Metal.
FFO: Haken, Opeth, Dream Theater, Wilderun.
Review By: Carlos Tirado
Obsidian Tide already surprised us with their release, Pillars of Creation, blending Prog, Death, Post, and various styles. It showcased exceptional talent and musicianship, a testament to years of dedication. With The Grand Crescendo, Obsidian Tide explores what it would be like if a band like Haken ventured into the darker realms of metal. It’s also an exploration of the band’s identity in the challenging landscape of Prog metal.
These songs are unapologetic in their complexity, featuring seamless transitions, intricate shredding, complex tempos, and even freaking flute solos. This album caters to the fantasies of Prog enthusiasts who might have felt the genre needed a rejuvenation, offering intricate arrangements, challenging drum patterns that will test your counting skills, and versatile vocals that blend Haken’s pop sensibilities with the raw power of old Opeth. The bass lines are equally impressive, because no shreddy band can be taken seriously unless the bass player is a misunderstood genius.
As expected, the songs are epic in length, akin to tracks like Deliverance or The Glass Prison. It takes confidence or even a touch of arrogance to pull this off successfully. Fortunately, for most of the album, the experience is captivating, and you won’t find yourself yearning for it to conclude. Tracks like The Undying Flames and The Field of Reeds (parts I, II, III) are monumental and succeed even on the lyrical front. The Grand Crescendo manages to convey deep emotions without resorting to overtly melancholic riffs, making it particularly intriguing.
Is there anything to criticize? Well, the album’s strength can also be its weakness. The extensive runtime may seem daunting, with one mammoth song after another, potentially testing the patience of some listeners. This isn’t background music; it demands your full attention, and if not given, certain passages might feel like aimless noodling. However, some editing, trimming a few seconds here and there, and perhaps skipping the outro could have made it more concise.
Regardless, if you’ve been longing for heavy Prog that doesn’t simply morph into a Death or Black Metal, this album is your answer. Obsidian Tide throws the sink at you, ready or not. It might take some time to grow on you, but it’s a strong contender for Prog album of the year.
(4 / 5)
