Spiritual Deception – Semitae Mentis
Release Date: 9th February 2024
Label: Amputated vein Records (Physical) & Earache records (Digital)
Bandcamp
Genre: Technical Death Metal, Symphonic Metal.
FFO: Nile, Fleshgod Apocalypse, The Faceless, Dark Lunacy.
Review By: Carlos Tirado
If you’ve perused my previous reviews, you’re aware of my affinity for the intricacies of all things complicated and technical. It’s not that I disdain simplicity, but there’s a certain charm in executing exceptionally complex riffs that also sound sublime. This sentiment encapsulated my initial encounter with Spiritual Deception, a band that, on paper, perfectly aligned with my musical preferences. Therefore, diving into Semitae Mentis naturally stirred expectations, wouldn’t you agree?
My first impression likened the album to the offspring of Fleshgod Apocalypse and Nile—undoubtedly potent parentage. Symphonic elements were present, but not in the hackneyed, superficial manner often associated with the genre. These sections contributed more than mere ambiance or background fillers, a departure from the norms of typical “symphonic” music (Yes, I’m pointing fingers at you, Symphonic Metal!). Yet, the album maintained an unyielding brutality reminiscent of Nile or The Faceless. Its technicality served the purpose of crafting a hostile atmosphere rather than merely shredding faces.
A noteworthy aspect is the piano work in Semiate Mentis. While it might seem peculiar in a Tech Death album, it’s what truly distinguishes it from others in the genre. While the riffs are enjoyable and well-crafted, they tread familiar ground. The melodic aspects, however, explore territories more frequently traversed by bands like Devenial Veredict, Gorguts, or Wormhole than your typical Symphonic metal ensemble. Now, you might be wondering, “Great, but what about the drawbacks?” and regrettably, I do have some significant ones to address.
I must acknowledge that I’ve had the chance to review two versions of this album, and the latest one sounded markedly better. However, I can’t shake the feeling that the production could have undergone substantial improvement. It’s not solely my customary gripe about excessive loudness; the guitar and bass tones lack the necessary power. At times, it feels like I’m being stabbed with a rubber knife—a deep disappointment because the ideas are solid, but the muddled production detracts significantly, making the album feel longer and more tedious than it should.
For those not intimidated by production issues or those who appreciate metal with a weathered, rain-soaked aesthetic (still a far cry better than traditional Black metal, rest assured!), Spiritual Deception may hold some appeal. However, those expecting crystal-clear Tech Death might need to adjust their expectations.
(3 / 5)
